“Moments of Innocence and Fracture: Fantasy and Reality in Two Documentary Visits to Israel”. Israeli Cinema: Beyond the National. Eds. Rachel S. Harris and Dan Chyutin. Indiana University Press. (forthcoming)
“Lying to Be Real: The Aesthetics of Ambiguity in Docufictions.” Contemporary Documentary. Eds. Selmin Kara and Daniel Marcus. New York: Routledge, 2015: 9-25.
“Here, There and Everywhere:
and the Digital Future of Observational Ethnography.” Visual Anthropology Review 31:1,
“Animated Recollection and Spectatorial Experience in
Waltz with Bashir
.” Co-authored with Roy Bendor. Animation: An Interdisciplinary Journal 6:3, 2011: 353-370.
“Neurocinematics: The Neuroscience of Films.” Co-authored with Uri Hasson et al. Projections: The Journal for Movies and Mind 2:1, Summer 2008: 1-26.
“In and Out of This World: Digital Video and the Aesthetics of Realism in the New Hybrid Documentary.” Studies in Documentary Film 2:1, 2008: 33-45.
“The Transparent People: On Crossing Borders and Redemption in the Documentary Cinema of Ido Haar.” Takriv 12 (July 2012) [in Hebrew]
and the Danger of Over-Interpretation” Bezalel Journal 2 (June 2015) [in Hebrew].
Guest Editor. Special Issue on “The Essay Film.” Takriv 9 (2015) [in Hebrew].
“When Lanzmann, Marker and Sontag Visited Israel.” Takriv 6 (2013) [in Hebrew]
“To Paint and Animate Reality: A Conversation with Tzahi Ferber.” Bezalel Protocols 24 (Spring 2012). [in Hebrew]
“‘Paint as Much as You Like, as Long as You Don’t Shoot’:
Waltz with Bashir
and the Animated Reproduction of War Memories.” Takriv
1 (2011) [in Hebrew]
“In The Mix: Reality Meets Fiction in Contemporary Iranian Cinema.” Cineaste 31:3 (June 2006): 45-47.
Film criticism and interviews published in Reverse Shot (2004 - Present).
Weekly film criticism and articles published in Calcalist (2010-present) [in Hebrew].
Weekly blog posts about documentary in Israel and world-wide in
(2014-present) [in Hebrew].
© 2012-2019 Ohad Landesman